Across the ancient world, civilisations worshipped female deities, often independently of one another. These Goddesses represented fertility, nourishment, creation, and protection—forces essential to human survival. They were seen as both loving mothers and fierce protectors.

Over time, as societies changed and became increasingly patriarchal, male Gods gained greater importance. Yet Goddess worship continued, especially in South Asia, where it remained deeply connected to agricultural communities and everyday life.

As society evolved, so did the roles and meanings of Goddesses. They were continually reimagined to reflect changing social values, beliefs, and human needs.

Why has Goddess worship survived for thousands of years? What has it offered humanity?

The ancient Shakta tradition, which worships the divine feminine, offers more than religious beliefs. Through stories, symbols, and powerful images drawn from nature, it explores the human mind, its emotions, strengths, fears, and weaknesses.

Today, Goddess worship continues to exist within a society that remains largely patriarchal. This raises important questions:

What does the divine feminine represent today? How does Goddess worship find its place within religious traditions largely shaped by masculine ideas of divinity?

For the past several years, the Nitya Nritya Dance Ensemble has explored these questions through dance, storytelling, and reflection.

Our latest production, Upatti – Coming to Be, brings together the insights from this journey, exploring the changing meaning of the Goddess and her enduring place in human life.

Bharatnatyam Dancers: Jyothsna Sainath, Sarayu Ramanan, Anusha Manchi, Srinidhi Sashidharan, Vaishali Swaminathan and Soundarya Jayaraman. Dancer bios can be found here.

UPATTI: Presented by The Nitya Nritya Dance Ensemble

SATURDAY 7th NOVEMBER 2026, 7:00 – 8:30 PM
REGENT STREET BLACKBOX AT THE ECCLES, SALT LAKE CITY

Creative Credits: 

– Concept: Jyothsna Sainath

– Choreography: Jyothsna Sainath / Nitya Nritya Dance Ensemble

– We are grateful for a workshop with Praveen Kumar, visiting artist for the festival who refined the choreography through a workshop. 

– Music Composition: Praveen D Rao, Bengaluru

– Musicians: 

Percussion and Konnakol: Praveen D Rao

Mridangam: Sumod Sridharan

Voice / Flute: Varijashree Venugopal

Voiceover: Jyothsna Sainath

Intellectual Credits: 

We are grateful to Sri K. Aravind Rao, IPS, retired as the Director-General of Police of united Andhra Pradesh state. 

Reference:

In Praise of the Goddess, by Devadatta Kali

Technical Credits: 

– Prabhat Sound Studio, Bengaluru (Recording Engineer: Sri Rangaswamy) 

– Media Studios Librarian. Marriott Library (Recording Engineer: Robert J. Nelson)