
INDRAJIT ROY-CHOWDHURY
Indrajit Roy-Chowdhury is one of the most talented young exponents of Rampur Senia Gharana in the venerated lineage of, Pandit Birendra Kishore Roy Chowdhury and Pandit Subroto Roy Chowdhury. Primarily trained in the Veen-Kar style of Sitar which draws techniques and idioms of the Veena, Indrajit has been able to carve a niche for himself with his eclecticism and versatility. Indrajit strives for a fine balance of traditionalism coupled with innovation and is renowned for his meditative alaap and brilliant taans.
Indrajit is based out of New York and maintains a rigorous tour schedule across the continents. As an international artist, Indrajit has performed in a range of distinguished venues, notably: Dover Lane Music Conference, Kolkata, Kennedy Center for the Performing Arts, Washington DC, The Lincoln Center, New York, The Hammerstein Theater of New York, Toronto National Convention Center, Berlin Indian Embassy, Concordia Arts Poznan, Poland, Chayanaut Auditorium, Dhaka and Ramakrishna Mission Cultural Centre, Kolkata.
NILAN CHAUDHURI
Nilan Chaudhuri is a Bay Area based percussionist, educator, and performer. Initiated into the tradition of Indian Classical Music at the age of five by his father, Pandit Swapan Chaudhuri, Nilan has been performing as a tabla soloist and accompanist for nearly two decades. Prior to beginning his formal training with his father in 2000, Nilan studied tabla with Brad Van Cleve, Tim Witter, and Uttam Chakraborty, all of whom are senior disciples of his father.

Drawing inspiration from his father’s innovative approach to classical tabla solo, Nilan was determined from a young age to be a soloist. He presented his first public tabla recital at the age of eleven, at the Ali Akbar College of Music in San Rafael, in the presence of Maestro Ali Akbar Khansahib. It was during these formative years that Nilan was introduced to the world of Tabla accompaniment by Maestro Ali Akbar Khan, providing rhythmic support for his vocal and instrumental classes at the college.
